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17168 Kuroda Seiki and Claude Monet: New Methods in Composition. : Kuroda Seiki (1866-1924) from Japan and Claude Monet (1840 -1926) from France are examples of artists who shared an urge for creative discovery. Both artists painted what are considered to be impressive and revolutionary paintings. In their paintings, they instilled new ways of representing reality through composition. This essay will examine Kuroda Seiki's "Withered Field (Grez)" and Claude Monet's "Waterloo Bridge, Grey Day" in order to show the similarity of their respective methods, a similarity that was radical in its time because it broke with the accepted methods of composition and attempted to reinvent the nature of artist experience and representation.
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17169 Visual Spatial and Social Interpretation and Analysis of Art: The Cathedral of Notre Dame. Art has always had a social aspect that is a representation of the inner functions of the culture from which art is created. Formal theories on the social nature of art, however, were not formed until the 16th century when the waxing and waning of artistic movements was seen to be affected by changing tastes in art patrons. In the 17th and 18th centuries, many different and diverse social theories emerged to draw connections between art and society - which created which? French socialist, Pierre-Joseph Proudhon, said that 'art for art's sake' was an impossibility and that art sprung, regardless of the artist's inspiration or motivation from the archetypal (a more modern term) forces that governed the society, often invisibly. Art stands, in many ways, as a social criticism as well as an honoring of the society. Art is a commentary, on some level, about the artist's perception of the world. That perception is shaped by the undercurrents of political, religious, and social life of the particular time. Identity, in particular, in art is marked by a defined or hidden connection to the audience with recognizable symbolic language. In the case of architecture, we have the ultimate visual special creation which creates its own distinct sense of identity. The Cathedral of Notre Dame stands as one of the most significant structures embodying both visual and spatial constructs to modify the viewer's and visitor's perception of the self. MLA format.
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17214 Computer Art and Islam. This paper examines the computer art of Islamic artist Iqbal Ahmed. MLA format.
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17263 Paintings of Burne-Jones And Edgar Degas. This paper compares a painting by Pre-Raphaelite British artist Burne-Jones with an important work by Realist, Edgar Degas. Both paintings appeared in 1860-1970 decade and have something important to say about that era and the two painters.
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17499 Alberti's classic "On Painting." This paper critiques a painting from the renaissance according to Alberti's classic "On Painting." MLA format.
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17534 Diego Valasquez. Las Meninas painted by Diego Velasquez in 1656 is a riddle embodied with the subject matter of the painting and by the artist himself. MLA format.
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17913 Benjamin Robert Haydon: An Analysis of His Influence. This fifteen-page graduate-level academic research paper analyzes the relationship of the English Romantic painter Benjamin Robert Haydon to the art of the nineteenth-century and evaluates his influence on John Ruskin's social concepts of art of the same century.
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